Isabelle Arvers de Kareron et Livia Diniz du Parc d’Inventions vous invitent à assister à la présentation du Kit Pédagogique des Jeux Verts à GAIA 2024 – Game Arts International Assembly. Rendez-vous en ligne mardi 10 septembre à 20h00 CEST pour une session inédite: artgames showcase. artgames showcase // 20:00 – 20:45 CEST // 19:00…
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Aux Futurs Ancestraux, curated by Isabelle Arvers, Espace Gantner, Belfort, 14 October 23 – 21 January 24
Espace Multimédia Gantner – Belfort – Opening on the 14th of October 2023 « When we say that the future is ancestral, it has more to do with DNA than genealogy. It’s worldview: it’s the ability to go back to an event that created the world and is alive in you. We want a constant creation…
Formation à l’animation d’ateliers machinima, Festival Press Start, BPI, Paris, 30 Septembre 2022
Le 30 Septembre, je donnerai une formation à l’animation d’ateliers Machinima à des bibliothécaires dans le cadre de JEU VIDÉO ET CINÉMA – Festival Press Star, Du 28 au 30 septembre 2022 – BIBLIOTHÈQUE PUBLIQUE D’INFORMATION, PARIS Le jeu vidéo et le cinéma sont tous deux des arts audio-visuels qui peuvent reposer sur des scénarios…
Résidence Anaïs Berck avec Livia DINIZ et Isabelle ARVERS, Bruxelles, 15 au 18 septembre
Isabelle Arvers: Anaïs Berck stands for a collaboration between humans, algorithms and trees. As a collective, they open a space where human intelligence is explored in company with plant intelligence and artificial intelligence. Anaïs Berck invites five makers for a paid residency during two weekends in September and October 2022. Anaïs Berck stands for a…
Expo Mer violette parme et Mer orange rose 2020 (Landscape, no sound) dans Digital Landscape, Zug, Suisse à partir du 15 sept
DIGITAL LANDSCAPES An NFT group exhibition presented by elementum and unpaired Opening Thursday, 15 September 18:00-22:00 at unpaired gallery. DEEP DREAMS OF THE STRANGE PLACES by Alexander Mordvintsev on elementum Alexander Mordvintsev, Deep Dreams of the Strange Places, 2019 The artworks in this exhibition expose us to a variety of perspectives of what can be…
« Ce qui me manque »,Téhéran IROMEDIA, Iran, Séptembre 2022
#IROMEDIA The specified #IROMEDIA platform was provided for the purpose of systematized introduction and interaction of the new media artists at the high level of the global contemporary arts. This opportunity makes contribution to identification, analysis, collection, and protection of the Iranian artists’ productions on the basis of a local discourse with respect to the…
Heroic Makers vs Heroic Land Rijksmuseum
Heroic Makers vs Heroic Land, Rijksmuseum Twenthe, Enschede, Hollande 18 juin au 25 séptember 2022 In these hectic times, we are inundated with scenarios of the future, some of which are extremely positive, others extremely gloomy. With the exhibition SO FUTURE, we acknowledge this, but we do not intend to be caught up in doom and…
Restitution de la résidence crea.sen, Virtual tree, Centre Yennenga, Dakar 2 septembre 22
Restitution de la résidence crea.sen et présentation de Virtual Tree, un film qui mélange prises de vues réelles et animations conçues à partir d’un moteur de jeux vidéo, le vendredi 2 septembre 2022 à 18h30 au Centre Yennenga Localisation Laurel Gbenafa (Digileeb) et Isabelle Arvers (Kareron) encadrés par Patricia Gouveia (Interactive Technologies Institute LARSyS, Portugal)…
Isabelle Arvers, Speaker at Expanded Animation 2022, Ars Electronica Center, Linz, Austria, 9th to 11th 2022
The tenth edition of the Expanded Animation Symposium, organized by the Hagenberg Campus of the University of Applied Sciences Upper Austria and Ars Electronica, will take place from September 9th to 11th as part of the Ars Electronica Festival 2022. In its ten-year history, the Expanded Animation Symposium has continually examined the vast and constantly…
Co production of UKI a scifi viral alt-reality cinema by Shu Lea Cheang 2021, 2022
UKI by Shu Lea Cheang, a co-production Shu Lea Cheang, Kareron & Jürgen Brüning Filmproduktion UKI the new feature by Shu Lea Cheang, a scifi viral alt-reality cinema in development, is conceived as a sequel to her scifi cyberpunk film I.K.U. (2000). « I.K.U. tells the story of IKU (“orgasm” in Japanese) coders, the replicants dispatched as sex…